![]() ![]() Those on the stage, behind the scenes and in the audience will undoubtedly adore the delightful experience that this book and score offer. He could not tell me what became of Christine or the viscount. Bill talks to Jean about the movie knowledgeably. He was bound to conclude in favor of the madness of the viscount and the accidental death of the elder brother, for lack of evidence to the contrary but he was nevertheless persuaded that a terrible tragedy had taken place between the two brothers in connection with Christine Daae. Jean is watching The Phantom of the Opera (1925). Upon his return home, he realizes there is never a reason to be bored in a world full of so many things to discover.īeing an astoundingly well-known title and story makes the prospect of producing The Phantom Tollbooth most ideal. Barbara enters and asks Jean if she rushed home to watch TV. Knee-deep in danger, language and math along the way, Milo learns everything has a purpose. They are divided over which is more important: words or numbers. The Phantom Tollbooth comes to the rescue! Transported to the Land of Wisdom, Milo is thrust into adventure when told Princesses Rhyme and Reason need rescuing to bring peace between two kings. Adapted from Norton Juster's beloved children's book, this inventive musical features a melodious score by Arnold Black and witty lyrics full of wordplay by Pulitzer Prize and three-time-Tony-winner, Sheldon Harnick ( Fiddler on the Roof, She Loves Me).Įven surrounded by dozens of toys, Milo is bored. The exceptional tale of Milo, Tock and a certain magic tollbooth is brought splendidly to life on stage in The Phantom Tollbooth TYA. ![]()
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